by Riccardo Migliari and Marco Fasolo
To mark the tenth anniversary of the death of Decio Gioseffi we would like to recall the courageous battle which as a young man he fought to amend Edwin Panofsky’s essay on Perspective as ‘symbolic form’ as
well as the misunderstandings that still affect perspective. As the years passed new elements have been introduced into the well-known querelle, Gioseffi versus Panofsky, in other words the results of several
recent studies on restricted sight and trompe-l’oeil painting and a cultural milieu currently more receptive to reconciling the historical-artistic interpretation of the essay with a scientific interpretation.
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