Experimenting with Perspective. Particular Relationships between the Image and the Mind

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The geometric certainty of perspective presents the Renaissance artist with a choice: should the work create the illusion representing the concrete, sensible world, or, on the contrary, should it portray the transcendent, speculative, abstract world of thought? This dichotomy would substantially characterise the culture of representation in the West from the Renaissance on. Perspective drawing becomes both the perfect experiment and the tangible testimony of this choice. For this reason, the phenomenon of perspective demands a unique analysis that considers this duality, since the informational intent reflected in the system for its realisation is different.

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